Forty Names

A New Statesman Book of the Year 2021 A White Review Book of the Year 2021 In this remarkable first collection, Parwana Fayyaz evokes events in the lives of Afghan women, past and present - their endurance and achievements, told from their points of view. John McAuliffe writes of the 'remarkable litanies, which haunt her poems' occasions' and the title poem, with which she won the 2019 Forward Prize for Best Single Poem, is such a litany, conjuring and commemorating. The poems are not judgmental: they witness. The reader infers the contexts. As well as the human stories there is a spectacular landscape, unfamiliar villages and cities, and a rich history which the Western press in reporting contemporary news foreshortens and diminishes. 'Storytelling has a long tradition in Afghan culture. Stories are passed down orally. Every woman even or especially those who are illiterate knows and has memorized a few important stories - to share [...] I grew up among women who never went to school - my grandmothers, my mother, my aunts.' As the poet grew away from that tradition, in which patience was the chief virtue, she lost patience and began her resistance, their resistance, in her poems which hover between cultures and languages, thinking in one and understanding in another. Each language has its history and value systems: 'it was learning English that gave me my voice as a poet, enabling me to distance myself as well as to comprehend the connection with the tradition I was brought up in.'

Parwana Fayyaz was born in Kabul, Afghanistan, in 1990. From the age of seven to sixteen, she was raised in Quetta, Pakistan. Once her family was able to return to Kabul, she finished high school and enrolled in her first English program in Chittagong, Bangladesh, where she also began her undergraduate studies. In 2012, she transferred to Stanford, where she earned a BA, with a major in Comparative Literature and a minor in Creative Writing, and an MA in Religious Studies. In 2016, she moved to Trinity College, Cambridge, to pursue a PhD in Persian Studies. She defended her thesis in 2020 and became a Research Fellow at Peterhouse, Cambridge, where she continues to do both her academic and creative work.