At the heart of Hegel’s Aesthetics is the idea of the beautiful as unity. This unity turns fragile once the mind's self-awareness becomes conceptual and extends beyond sensory illusion. Focusing the philosophy of art on the idea of the beautiful raises a set of systematic problems, which are discussed with regard to Hegel’s Aesthetics, its historical contexts, and its reception.



Andreas Arndt, Berlin, Germany; Günter Kruck, Frankfurt/M., Germany; Jure Zovko, Zagreb, Croatia.

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