John Lurie - Fishing With John

Seminar paper from the year 2002 in the subject English Language and Literature Studies - Other, grade: very good, Johannes Gutenberg University Mainz (Department of English), course: Jim Jarmusch's America, language: English, abstract: Being an American sax player, composer and actor, born December 14, 1952 in Minneapolis, Minnesota, he started as a filmmaker and painter in the 1970s. Later he founded in 1979 his band 'The Lounge Lizards' together with his brother Evan Lurie. As the singer of 'The Lounge Lizards' primarily in New York's downtown music scene, he did bizarre interpretations of jazz standard opus, for what he made up the term 'fake jazz' (jazz rhythms melt with punk and bebop elements; a kind of ironically broken jazz). Although this term was no more than a joking refer after their first concert in 1979. He is best known for his dead pan performances in the films of Jim Jarmusch (Permanent Vacation, Stranger than Paradise, Down by Law). 'Most of my songs', John Lurie says, 'base on the Doppler Effect. I conceive ideas running around in Manhattan und hearing radio sounds from two taxis driving in opposite directions, or - for example - under the shower: then I jump out of it immediately and run to my keyboard. There is a regular track in my apartment between the shower and the keyboard. The wooden floor is already quite warped by running back and forth being soaking wet.' 'I've never had any respect for jazz but always for single persons like Coltrane, Mingus, Hendrix and Kurt Cobain. I don't care about the categories they belong to and I would even say that Coltrane was too big, too genuine to become pockets as a hipster. Terms like jazz, punk, rock and pop are but small minded avaricious categories to press music into a selling system. It's just shit that most musicians admit to this little game and finally sound like the sign indicating the record store's style.' Waits on 'Lounge Lizards' and their music: 'They used to accuse John Lurie of doing fake jazz - a lot of posture, a lot of volume. When I first heard it, it was so loud, I wanted to go outside and listen through the door, and it was jazz. And that was an unusual thing in New York, to go to a club and hear jazz that loud, at the same volume people were listening to punk rock. Get the first record, 'The Lounge Lizards'. You know, John's one of those people, if you walk into a field with him, he'll pick up an old pipe and start to play it, and get a really good sound out of it. He's very musical, works with the best musicians, but never go fishing with him. He's a great arranger and composer with an odd sense of humor.'