Polkadot Wounds

Polkadot Wounds is a delight, wrestling with life in our restless times. Capildeo entices us to enter conversations with others (dead and living), amongst glimpsing reflections of encounters. Landscapes become 'landskips', playing on traditions of travel and nature writing, childlike spontaneity and movement across gaps. Dante's Divine Comedy frames untimely deaths and breakthroughs of joy, during the pandemic and in queer and far-flung communities. The title of the book is inspired by the stones of the ruined Norman castle in Launceston, Cornwall, and the local martyr, St Cuthbert Mayne, where Capildeo was writer-in-residence with the Charles Causley Trust.

Anthony Vahni Capildeo FRSL is a Trinidadian Scottish writer of poetry and non-fiction. Currently Professor and Writer in Residence at the University of York, their site-specific word and visual art includes responses to Cornwall's former capital, Launceston, as the Causley Trust Poet in Residence (2022) and to the Ubatuba granite of the Henry Moore Institute in Leeds (2023), as well as to Scottish, Irish, and Caribbean built and natural environments. Their numerous books and pamphlets, from No Traveller Returns (Salt, 2003), Person Animal Figure (Landfill, 2005) onwards, are distinguished by deliberate engagement with independent and small presses. Their work has been recognized with the Cholmondeley Award (Society of Authors) and the Forward Poetry Prize for Best Collection. Their publications include Like a Tree, Walking (Carcanet, 2021) (Poetry Book Society Choice), and A Happiness (Intergraphia, 2022). Their interests include silence, translation theory, medieval reworkings, plurilingualism, collaborative work, and traditional masquerade. Recent commissions include research-based Windrush poems for Poet in the City and for the Royal Society of Literature. Capildeo served as a judge for the Jhalak Prize (2023).