This collection of essays approaches the works of Shakespeare from the topical perspective of the History of Emotions. Contributions come from established and emergent scholars from a range of disciplines, including performance history, musicology and literary history.

Ronald Bedford, University of New England, Australia 
Susan Broomhall, University of Western Australia, Australia 
Martin Dawes, independent scholar, Canada
Stephanie Downes, University of Melbourne, Australia 
Rosemary Gaby, University of Tasmania, Australia 
Peter Groves, Monash University, Australia 
Simon Haines, Chinese University of Hong Kong, Hong Kong 
Jennifer Hamilton, University of New South Wales, Australia 
Mark Houlahan, University of Waikato, New Zealand 
Danijela Kambaskovic, University of Western Australia, Australia 
Heather Kerr, University of Adelaide, Australia 
Philippa Kelly, California Shakespeare Theater, USA 
Andrew Lawrence-King, Guildhall School of Music & Drama, UK 
Ruth Lunney, University of Newcastle, Australia 
Andrew Lynch, University of Western Austr
alia, Australia
Dr Mary-Rose Mclaren, Victoria University, Australia 
Katrina O'Loughlin, University of Western Australia, Australia  
Anthony Guy Patricia, Concord University, USA 
Bríd Phillips, University of Western Australia, Australia 
Ciara Rawnsley, University of Western Australia, Australia 
Elizabeth Schafer, Royal Holloway, University of London, UK 
Alison V. Scott, University of Queensland, Australia
R. S. White, University of Western Australia, Australia 
Christopher Wortham, University of Notre Dame Australia, Australia

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