Terror in Global Narrative

Focuses on the interplay of late-late capitalism and aesthetics Interdisciplinary content distinguishes it from other critical works on the subject Together the chapters contend that easily commodifiable and digestible aesthetic products exist as a paradox akin to the historical moment that produced them Contributions argue that to represent 9/11--to create some commemoration of it or response to it--artists and authors must observe changes and the lack thereof, and they must thereby engage with the paradoxes and chaos that characterize terror as an act that attempts to reorganize the world order while leaving parts of it in utter disorder

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