This volume proposes an in-depth exploration of the materiality of art and writing in modernism and the avant-garde. The essays explore how the avant-gardes and modernism attempted to establish the material specificity and hybridity of media and art forms. The collection sheds light on the full range and import of the aesthetics of matter in avant-garde and modernist practice across all art forms from the 19th century to the present day.



S. Posman, Ghent, A. Reverseau and S. Bru, Leuven, D. Ayers, Canterbury, and B. Hjartarson, Reykjavik.

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