The First Pop Age

"The First Pop Age is a remarkable book: it offers a series of trenchant models for understanding how five key Pop artists remade the modern picture and, in doing so, took on some of the most crucial issues of our time--mass media, consumer culture, trauma, and selfhood--as well as the possibilities of painting itself."--Leah Dickerman, Museum of Modern Art"Pursuing brilliant close readings of art with a light theoretical touch, Foster shows how five artists at once relished and questioned the fundamental changes in ourselves and our images that defined the 1950s and 1960s. No one has thought Pop better."--Harry Cooper, National Gallery of Art"Foster probes Pop's core obsessions: sex and death, celebrity and anonymity, fetishism and indifference, the machine and the body. Exploring the subjective dynamics of a supposedly antisubjective art, and the political implications of a putatively apolitical art, The First Pop Age offers a fresh account of 'distressed' masculinity in Cold War culture."--Mignon Nixon, Courtauld Institute of Art"This is a deeply insightful, elegantly written, original, and important book that pushes beyond accepted pieties about Pop art and provides a refreshing new take on it. Seen through Hal Foster's lens, the paintings and writings of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha constitute remarkably astute engagements with pop culture at the very moment of its full emergence."--Michael Leja, University of Pennsylvania"With visual and analytical acuity, Hal Foster offers a view of Pop art that is both genuinely new and generously open to further development. Engagingly written, with a keen sense of the shifting stakes of Pop across different contexts and careers, Foster's book is sure to become a standard reference for specialists and general readers alike."--Graham Bader, Rice University"In The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha, Hal Foster tries to bring thinking back to Pop Art by arguing that it began with thinking--specifically, the same kind of thinking that could save art today. . . . Foster truly excels when he takes on Warhol, who sits at the center of all things Pop like a bewigged Satan at the frosty center of Dante's Hell, with all things Pop eventually feeding down to him. . . . Hal Foster's The First Pop Age makes the Pop Artists of years gone by seem not only much more serious than ever, but also much more seriously relevant to our image-confused modern consciousness than ever."--Bob Duggan