The Innocent Moon
Autor: | Henry Williamson |
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EAN: | 9780571322626 |
eBook Format: | ePUB |
Sprache: | Englisch |
Produktart: | eBook |
Veröffentlichungsdatum: | 27.11.2014 |
Kategorie: | |
Schlagworte: | 1920s Devon Faber Finds literary London love |
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The Innocent Moon (1961) was the ninth volume in Henry Williamson's great roman-fleuve,A Chronicle of Ancient Sunlight. It is the early 1920s and Phillip Maddison, out of the army, is determined to become a writer. When his career as a journalist founders, he retires to Devon on his motorcycle to share a cottage with a friend and devote himself to his work. But this arrangement does not succeed and before long Phillip finds himself alone. Meanwhile, his heart is assailed by what he takes for love - but not until he has shed certain illusions does he discover what he seeks, from a source that is least expected. Set against the London literary world as well as the superbly drawn Devon landscape, The Innocent Moon paints an unforgettable picture of its times.
Henry Williamson (1895-1977) was a prolific writer best known for Tarka the Otter which won the Hawthornden Prize in 1927. He wrote much of else of quality including The Wet Flanders Plain, The Flax of Dream tetralogy and the fifteen volume A Chronicle of Ancient Sunlight all of which are being reissued in Faber Finds. His politics were unfortunate, naively and misguidedly right-wing. In truth, he was a Romantic. The critic George Painter famously said of him, 'He stands at the end of the line of Blake, Shelley and Jefferies: he is last classic and the last romantic.'
Henry Williamson (1895-1977) was a prolific writer best known for Tarka the Otter which won the Hawthornden Prize in 1927. He wrote much of else of quality including The Wet Flanders Plain, The Flax of Dream tetralogy and the fifteen volume A Chronicle of Ancient Sunlight all of which are being reissued in Faber Finds. His politics were unfortunate, naively and misguidedly right-wing. In truth, he was a Romantic. The critic George Painter famously said of him, 'He stands at the end of the line of Blake, Shelley and Jefferies: he is last classic and the last romantic.'