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Trauma's Gap. How the Recipient's Triggered Agency in Amy Waldman's novel 'The Submission' and Michael Moore's Movie 'Fahrenheit 9/11' Creates a New Pattern of Narrative Memory by Turning Ungrievable into Grievable Lives
Trauma's Gap. How the Recipient's Triggered Agency in Amy Waldman's novel 'The Submission' and Michael Moore's Movie 'Fahrenheit 9/11' Creates a New Pattern of Narrative Memory by Turning Ungrievable into Grievable Lives Ingeborg Morawetz

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